The problem with including All-New X-Men in the Black Vortex crossover is that it takes up valuable time even as Brian Bendis prepares to wrap up his extended X-Men saga. Can this series afford to forego its usual conflicts in favor of cosmic spectacle? As this issue proves, it doesn't really have to. Bendis finds ample time to explore the dynamic among the X-Men as they finally reunite with young Cyclops and deal with the ramifications of his absence.
That material actually proves far more compelling than the larger Black Vortex conflict. This crossover has thus far lacked a sense of danger or dramatic impetus. The titular device is simply a means to an end. So it's far more entertaining to see Jean reconnect with Scott and Laura deal with her reluctant feelings for Angel (now transformed by the Vortex into a rampaging god of destruction). Meanwhile, Bendis is better able to tap into the oddball X-Men/Guardians pairing that made "The Trial of Jean Grey" so much fun last year.
It is strange how so many characters in this issue have little or no lines of dialogue, though. It's enough to wonder if Black Vortex should have included as many franchises as it does given how little some material characters are granted.
Andrea Sorrentino's distinctive style may put him at odds with the rest of the artists working on this crossover, but on his own merits he's a great fit for this sort of cosmic drama. His dynamic layouts shine best during the scenes of carnage and destruction. During the more emotionally charged scenes, he brings a subtler touch that emphasizes body language and emotion. A lot is conveyed in simple looks between Kitty and Star-Lord or Cyclops and Jean.
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